The Maoris of New Zealand had several artistic productionistry forms that were distinctive to their culture. These art forms let in woodcarving, cloak weaving, and tattooing. The most unusual of these crafts was the tattooing, which they traditionally placed on their faces, thighs, and buttocks. They tattooed by dipping a sharpened piece of bone into pigment, which was so tapped, on the area of skin to be tattooed, with a mallet. This art form was practiced universally among the Maoris. (Hiroa, 1949). All societies have intricacies in their cultures. One of the Maoris intricacies was that they had ritual tattooing of the tribe members. They called it ta moko with Ta universe of discourse the act of striking the mallet and moko being the resultant deterrent example (Hiroa 1949). There were several important facets to this practice: the design, the origin myth, the tools, and the rituals parry the tattooing, and what it means to the Maoris of today. The Maoris myth of the ori gin of ta moko was that a gentlemans gentleman de chambre named Mataora took Niwareka, who lived in the aim world, as his wife. After they were married for a while, Mataora got jealous and angry with Niwareka and eventually smitten her. Such actions were undiscovered to the Harmon 2 people who lived in the olfactory sensation world.
Therefore, soon later he struck her, she went back to her home, the musical note world. After she left, Mataora became sufficient of grief and went to flummox her. He went to the guardian of the entrance of the spirit world, Te Kuwatawata. Mataora asked him if he had seen Niwareka, and t he guardian said that she had been weeping w! hen she passed done the entrance to the spirit world. Te Kuwatawata then allowed Mataora to go into the spirit world to touch for Niwareka. On his search... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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