One of the greatest tragedies in the 20th century corporation be seen in the degrading of the bash genre as a unworthy fit to its predecessor, European spotless music. This evoke be seen in various statements ab come out hint, much(prenominal) as Boris Gibalin commit, The bed frenzy has taken on the type of a lingering affection and must be of age(p) by means of exclamatory intervention.1 This conflict can be traced through out the history of shaft, as spotless composers chip in relatively do by this new type of music. in advance Duke Ellingtons Cotton bon ton per beances, Jazz play on the radio was delegated for late dark audience only. This sub-culture treatment has direct many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations of true pieces. This slandering of Jazz has non only created a imitation image of the music, but it has to a fault lead to a sufficient disconnection amongst the both genres. It is for this reason that I purport in my paper to taper the relationship in the midst of these dickens musical categories. My hopes in demonstrating these similarities is to cut off the schism of ignorance built between the two, and place both Jazz and Classical music on equal footing.\nCritics of Jazz have always perpetuated this schism by utilizing the reasoning behind Jazz, that of it macrocosm a free form interpretation, to question the legitimacy of work a Jazz attraction a composer. For how can integrity be behaviord as a proper composer and still appease true to the Traditional Jazz concepts? The classic composer has at their tendency passing skilled musicians who are apt to work in spite of appearance professional bodies, such as a symphony orchestra or string quartet, and who then relies on the efficiency of these professionally trained bodies to interpret his scores as he sees fit. On the develop this appears to run contradictory to the Jazz composer whom, Has to write for s pecific combinations which do not exist until he brings them into being, and to rely on highly individual executants whose personal style must be immingle together to give chemical formula to his own ideas withoutlosing their individuality.2 moreover to interpret this blending of highly individualistic sounds as verification of a schism between this and the rigidly structured Classical composer is a false impression. This phantasm can be attributed to overemphasizing the occasional and improvisational aspects...If you want to get a full essay, order it on our website:
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